Intensity permeates Tom Ford’s chilling 2016 thriller, Nocturnal Animals. Amy Adams stars as Susan, a wealthy L.A. art dealer, who’s married to the handsome Hutton (Armie Hammer). One day she receives a novel written by her ex-husband, Edward (Jake Gyllenhaal). He dedicates the devastating, deeply disturbing novel to her, which causes her, with every turn of the page, to reflect on her past actions (via flashbacks to Susan and Edward at the promising start of their relationship), present (unhappy) situation with Hutton, and her growing dissatisfaction with her career.

As Susan delves deeper, the viewer also sees the “story-within-a-story,” with Ford jolting the viewer back and forth between the sleek, cold confines of Susan’s ritzy home, and the isolated highways and barren backroads of West Texas, including some menacing inhabitants, that serve as the setting for Edward’s horrifying tale.

Although Nocturnal Animals is written and directed by the famous fashion designer, it offers, in part, provocative commentary on substance vs. style, romantic vs. pragmatic, enough vs. more, and sheds light on the harsh consequences when someone is consumed by the latter instead of the former.