Mars’ chorus: “That I should have bought you flowers.”

Cyrus’ chorus: “I can buy myself flowers.”

Mars: “And held your hand.”

Cyrus: “And I can hold my own hand.”

Mars: “Should have gave you all my hours.”

Cyrus: “Talk to myself for hours.”

Mars: “Take you to every party ‘cause all you wanted to do was dance.”

Cyrus: “I can take myself dancing.”

From a production standpoint, Kid Harpoon and Tyler Johnson keep the verses quiet, gloomy, almost wilted, all constructed to make the cloud-free chorus flourish with confidence. Harpoon’s prominent disco-funk bass line lends smooth, soulful sass, the kind that inspires strutting down a hallway before erupting in euphoric abandon, as displayed by Cyrus in the accompanying Jacob Bixenman-directed music video. (The video is reminiscent of Francis Lawrence’s “Cry Me a River” for Justin Timberlake, who, like Cyrus, is shown breaking into the home of a former, and allegedly unfaithful, lover.)

With the New Year a little over a month in, and Valentine’s Day ahead, Cyrus’ “Flowers” could not have been released at a better time. (Likely its January 13 launch date was to coincide with Hemsworth’s birthday.) Two of the possible reasons the track has resonated with so many: Resolutions for better self-care are (hopefully) still in practice, with the song serving as an extra push to stay resilient; singles get an added reminder to tend to—and cultivate—self-sufficiency. “Flowers” is the musical equivalent of a dozen red roses.

Columbia Records. Album-Cover Photography by Brianna Capozzi.