Feeling Solo: Destiny’s Child: “Independent Women Part 1”

What kismet—an apt word—that Destiny’s Child got their lineup finalized down to a trio and soon ended up contributing a song to the Charlie’s Angels soundtrack. Whether it’s a group of singers or private detectives, there’s nothing like the power of three, once you get the three members locked down. For the group, it was Beyoncé Knowles, Kelly Rowland and newest member Michelle Williams; for the film revamp of the classic TV series, it was “Lucy Liu, with my girl Drew, Cameron D…” That’s Drew as in Barrymore, D as in Diaz. Another example of this kismet collaboration: Just as the singing group seemed to struggle with who was in and who was out, the late ‘70s/early ‘80s TV series seemed to struggle as well with who was staying and who wasn’t. The show saw Farrah Fawcett leave after one season, and eventually Kate Jackson. Cheryl Ladd, Shelley Hack and Tanya Roberts all graced the couches of the Townsend Agency, with Jaclyn Smith—let’s be honest, the “Beyoncé” of the group—staying for the entire run.

With the TV series and the film version stressing the importance of female capability and independence (and at the same time, the benefits of camaraderie, regardless of what form the trio takes), it was a no-brainer that the title of the Destiny’s Child contribution would be “Independent Women Part I.” Full of catchy, sing-along hooks, it’s a confident ode to self-sufficiency, which has Beyoncé in the verses asking one rhetorical “Question:” after another to her male counterpart, reminding him that “I buy my own diamonds and I buy my own rings/Only ring your celly when I’m feelin’ lonely/When it’s all over, please get up and leave.”

And while there’s nothing wrong with pride, the ladies walk a fine line, yet are careful never to lapse into arrogance. Beyoncé, being the competent writer that she is, knows to never alienate the listener, but inspire, ensuring “I depend on me” is uttered frequently. In the second verse, she further clarifies: “If you’re gonna brag/Just make sure it’s your money that you front/Depend on no one else to give you what you want.”

After this second verse and chorus, note the familiar melody line in the bridge. Think of the verses on Blondie’s “Rapture,” for example: “Toe to toe/Dancing very close/Body breathing/Almost comatose.” “Independent Women Part I”: “Child of destiny/Independent beauty…” And finally, Question: Tell me that this infectious track shouldn’t be applauded for adding the line, “All the mamas who profit dollas”?