Heart Beats: The Summer of Kylie Minogue and “Padam Padam"
Although the official unofficial start to summer begins during the Memorial Day weekend in the latter part of May, Kylie Minogue’s summer to remember began on May 18, 2023, with the release of “Padam Padam,” the first single from her 16th studio album, Tension, out September 22. Snippets of the song teased before its release hinted at a more mysterious sound, with its electro-altered vocal and an ominous guitar riff. No one could have predicted, even Kylie and her production team, that this dark, menacing intro would kick off, what many would later consider to be, the “song of the summer,” a coveted title often associated with a lighter, more upbeat pop sound, reflective of that school’s-out, sun’s-out sense of carefree abandon. It’s the track’s (heart)beat-thumping chorus that would allow it to set itself apart from other pseudo contenders.
Just ten days later, Kylie celebrated her 55th birthday, and took to her social media to thank her followers for the messages, “the ‘Padam’ reaction and the love; it’s been an incredible week,” Kylie said. Incredible indeed, the song went viral on Instagram, and on Tik Tok, #padampadam would eventually garner 10 million hits in early June. This is the first of two significant moments, for it confirmed the speedy reach, and the immense impact, of “Padam Padam” in a relatively short amount of time.
The second moment also occurred in early June, when Kylie surprised the crowd of 80,000, who attended Capital’s Summertime Ball music festival at Wembley Stadium. The radio group posted the two-song set to its YouTube channel, which at the start of the performance featured a pre-filmed compilation of Kylie clips and some career stats. The cameras down on the stadium floor captured the reaction of some of the audience members (many presumably in their twenties) as they began to realize that the Aussie superstar was on the bill. It’s one of the most important moments in Kylie’s career: Here, a pop-music icon, some 36 years into her career, is connecting with many who weren’t even born when “The Loco-Motion” or “I Should Be So Lucky,” or perhaps even “Spinning Around” or Kylie’s signature, “Can’t Get You Out of My Head,” were released.
The video montage, designed to heighten the hype, met its goal; when Kylie’s name was announced and she ascended on the stage-lift, the audience erupted in excitement, easily heard in the following video:
Kylie then went from stadium to studios, appearing on NBC’s “TODAY” show, and Bravo’s “Watch What Happens Live” with Andy Cohen, where Cohen asked her point blank if she had any plans for a U.S. tour or a Vegas residency, to which she coyly replied: “Very possibly.” The “very possibly” turned into “very definitely” in late July when she officially announced a Las Vegas residency at the Venetian’s newly renovated, 1,000-seat venue, Voltaire. She and casino executives were riding a “Vegas High” along with fans worldwide, but fast forward to August 9 when many of those fans went from a high to a letdown, due to a chaotic ticket-purchasing experience, and a crash of Voltaire’s site. Regardless, the first set of shows for November and December 2023 and January 2024 quickly sold out, as well as a second set of shows for the early part of 2024 that were later added.
Kylie also appeared on few radio programs in the U.S., such as the “Zach Sang Show,” and on 102.7 KIISFM, to talk “Padam Padam,” the new album, the residency, and much more. Around this time in August, the single had cracked the top 40 on Billboard’s U.S. Adult Top 40 and U.S. Mainstream Top 40 charts. Also, it climbed to number 1 on the U.S. Dance/Mix Show Airplay chart.
For those not entirely familiar with Kylie, easily one of the most successful singers of the last 40 years, “Padam Padam” hopefully serves as the gateway single to discovering her previous, now-legendary, work in pop (the essential-to-own Light Years and Fever albums), dance (the dazzling 2020 album, Disco, which helped sustain many through a dark pandemic), indie-pop (1997’s experimental Impossible Princess), even torch/jazz (“Stay This Way”; “If You Don’t Love Me”; “Try Your Wings”; 2012’s The Abbey Road Sessions album), and that’s just scratching the surface as a recording artist. As a live-concert performer, they don’t call her “the Showgirl” for nothing (two tours entitled, Showgirl [2005, 2006]; XTour2008; Aphrodite Les Folies [2011] are vital viewing). Fittingly, her Vegas residency will solidify her as the consummate showgirl once again.
As summer 2023 comes to a close, it was one full of bright, sunny moments for Kylie Minogue, with “Padam Padam” representing the start to yet another era in her phenomenal career, one that shows no signs of going dim or, to keep with the heart theme, flatlining. The track also signifies a renewed faith in the power of music to bring people together for a very catchy common good. (Note: As this article is being finalized, Kylie has announced the second single, “Tension” will be released on August 31, 2023.)
Oh Boy!: Kylie Minogue’s “Better the Devil You Know” Turns 30
April 30, 2020 marks the 30th anniversary of one of Kylie Minogue’s signature songs, “Better the Devil You Know.” The lead single from her third studio album, Rhythm of Love, it goes down as one of her biggest career-defining moments, marking her transition from bubble-gum pop (and soap opera) star to slightly more brazen pop siren. (Kylie was no longer with fellow soap star, Jason Donovan, and had started dating Michael Hutchence at this time, representing a shift in her personal life as well.)
With its stuttering synthesizer sounds, rattling tambourine and thumping beat, never before has a song about repeatedly forgiving an unfaithful partner sounded so good. “Devil” has become a staple in many of Kylie’s concerts throughout the decades, as seen in the brilliant compilation below, created by “Kylie Minogue Video.” As one comment states, rightly so: “This made me emotional.”
The compilation captures Kylie:
Devil horns and all from Intimate and Live (1998);
Donning top hat and tails from Live in Sydney (2001);
As the braided beauty from KylieFever2002: Live in Manchester;
Decked out in blue feathers from Showgirl: The Greatest Hits Tour (2005);
Presenting a pink plume in Showgirl Homecoming (2006);
Rocking the cutoff shorts in Aphrodite Les Folies (2011);
As a cowgirl in pink from Golden - Live in Concert (2019);
In the legends slot at the Glastonbury Festival 2019.
Some favorite moments: 0:21 captures the blast of brilliance at the start of Showgirl Homecoming; that million-dollar smile at 2:15 in the blue Showgirl outfit; 2:57 as she bows to the fans that made this song a Kylie classic.
Pop Playlist: Kylie Minogue: In Your Eyes (Live in New York)
As some of you may already know, Kylie Minogue brings a smile to my face, and if my ears could smile, they'd beam too. One of the best songs from the iconic Fever album is “In Your Eyes.” She’s performed this signature track on many tours, but the one recorded in 2009 at the Hammerstein Ballroom during her For You, For Me tour, and for the subsequent audio release, Kylie: Live in New York, is a fave. Let’s take a look (and listen) back to this live track:
Pop royalty in most other parts of the globe, the legendary Australian performer never before launched a tour specifically through North America. After her Kylie X 2008 tour, she felt it was (finally) time to alleviate the longing that filled millions of fans (including her devoted gay following) who, up until that point, were only able to see the dynamic dynamo on DVD.
In a thoughtful gesture, Kylie and her team, led by her creative director William Baker, launched For You, For Me with the “mashup” in mind—part X tour (complete with X-tour musicians, backing vocalists and most of the dancers), part Showgirl 2005 and 2006 tours. This provided the chance to see a version, albeit a smaller-scale version, of the large concert spectacle, for which she is known. I had the pleasure of seeing Kylie for the first time on this tour, during a stop at the Fox Theater in Oakland, CA in Sept. 2009.*
This X-tour arrangement of “In Your Eyes” is heavy on bass-synth and bass guitar, and it sounds amazing. The New-York recording captures the crowd’s command of the lyrics (which was also displayed opening night in Oakland and probably every stop thereafter), proving her visit to the U.S. was not a waste, and that for the previous 8 years, copies of Fever were definitely being played in America. Kylie finishes big by confidently holding a high note at the end of the lyric, “I don’t feel like coming down.” As you can hear in the clip below, everyone in the audience seems to concur.
*Both photos courtesy of Rob Miller.
Makes Everything Right: Kylie Minogue: “Love at First Sight”
Full disclosure, this blogger’s favorite single of Kylie Minogue’s is “Love at First Sight. Although she’s been creating pop perfection for decades, it’s this track that has always made my heart aflutter. It captured what pop/dance music sounded like in the late ‘90s/early ‘00s. There are elements in “First Sight” that are similar to Ultra Naté’s 1998 anthem, “Free (the Mood II Swing Radio Mix),” especially the introductory guitar lines, and the deep bass lines that are pushed to the front—right where they belong.
“First Sight” speaks to how music, more specifically a DJ spinning the right record, can serve as clarity for the confused, a sense of connection, even a lifeline, for the temporarily disconnected. Its restorative power so immediately transformative, that not unlike being hit right between the eyes when it’s love at first sight, sound can hit you right between the ears.
Its superb construction sounds like a subway line in the underground. You can barely hear it coming, so you think it’s far away, but when you least expect it, it comes racing into a station. It arrives right on time, stops at the platform for a brief pause, then off it goes again, whisking passengers away on a journey, this musical journey unfortunately only lasting a total of four minutes.
Kylie has steered “First Sight” in different directions over the years, in the form of alternate studio versions (2002’s perky “Ruff & Jam Vocal 7””; 2012’s country-campfire acoustic ballad on The Abbey Road Sessions), as well as how the musical producer, Steve Anderson has arranged it for her concerts. It’s become a reliable crowd favorite and has been on every set list for her last eight major tours (KylieFever 2002; Showgirl 2005 and 2006; X2008; For You, For Me North America 2009; 2014’s Kiss Me Once; a “mashup” with “Can’t Beat the Feeling” for Aphrodite 2011; Golden - Live in Concert 2018), even appearing as one of just 13 tracks for the one-off show in 2003 to launch Body Language.
It’s no wonder that “First Sight” has mostly been reserved for the encore section or literally as the jovial finale; its message and construction inspire fans to bathe in its escapist, rejuvenating power, reminding all who are about to leave the venue that pop has the potential to turn everything wrong to right.