This is How You Debut: Revisiting Three Iconic ‘80s Albums

In music, for example, it’s rare that right out of the gate, one gets the top spot or the trophies, but with the right singer, songwriters, production staff and promotional team, for starters, the stars can sometimes align, allowing the debut album to become one of the biggest moments in a career. Just ask these three dance/pop artists: Madonna; Jody Watley; Paula Abdul.

Madonna’s self-titled debut album will celebrate its 38th anniversary in July. (Take a moment to let that sink in.) In looking at the track list, every single single (“Everybody”; “Burning Up”; “Holiday”; “Lucky Star”; “Borderline”) contributed to the solid foundation for what would be a legendary career… who knew? (Madonna, that’s who knew.) The production team on the 8-song 1983 release consisted of Reggie Lucas, Butch Jones, Mark Kamins—the DJ who initially played “Everybody” at New York’s Danceteria—and her then-boyfriend, DJ John “Jellybean” Benitez. Madonna now had the sound, and MTV helped shaped the vision, allowing audiences to meet (eventually) one of the most culturally relevant figures of the 20th century.

Madonna: Sire Records; Warner Bros.

Besides Madonna, another dancer/singer with an incredible debut was Jody Watley. Her 1987 self-titled album featured: “Looking for a New Love”; “Still a Thrill”; “Don’t You Want Me”; “Some Kind of Lover”; “Most of All.” This former member of the group, Shalamar (“The Second Time Around”) hit the MTV rotation as hard as the beats that filled her synth-funk jams. An attitude-rich sound, “Soul Train” dance background and a downtown-fashion street style of thrift-store-inspired petticoats and voluminous skirts, along with equally voluminous hair and signature large-hoop earrings, only added to her vocal and visual appeal. Watley went on to win the Best New Artist GRAMMY in 1988.

Jody Watley: MCA Records

Another dynamic debut: Paula Abdul’s 1988 Forever Your Girl album, which included: “Knocked Out”; “The Way that You Love Me”; “Straight Up”; “Forever Your Girl”; “Cold Hearted”; “Opposites Attract.” (The latter four landed at #1.) Abdul skyrocketed during the music-video ‘80s, when dancers could also shine as singers, as was the case with Madonna and Watley. Abdul first worked behind the scenes, most notably on choreography for Janet Jackson, tour choreography for George Michael, and with many others artists of the era. But when Abdul stepped in front of the camera, she used music video to put tap dance back on trend, even referencing ‘40s Gene Kelly and ‘70s Bob Fosse, in turn, becoming a postmodern Ginger Rogers of the MTV generation.

Paula Abdul: Forever Your Girl: Virgin Records

Three impressive initial offerings, all now-iconic debut albums of the ‘80s.

A More Mature Miss Jackson: Janet’s 1998 Velvet Rope Tour

While Janet Jackson’s 1998 Velvet Rope Tour shared the introspective (“You”; “Special”) and the provocative (“Anytime, Anyplace”; “Rope Burn”), Miss Jackson also made room for retrospective: her attitude-rich ‘80s tracks and lighthearted ‘90s dance-pop jams. The “Control Medley” and the “Escapade Medley” are impressive reminders of the impact she had already made in a (design of a) decade. Both sections include phenomenal period moves from her corps of dancers, in particular Tyce Diorio during “Nasty,” “Throb” and “Love Will Never Do Without You.”

Cover. Songs.

Back cover of the concert DVD packaging, featuring synopsis, set list and partial credits.

Eagle Rock Entertainment.

Yet after all the set dressing and costume undressing, it’s the simplified four-song encore that reveals Janet at her most authentic and most comfortable, from the soothing “That’s the Way Loves Goes” and the soulful folk sound of “Got ‘Til It’s Gone” to the heartwarming “Together Again.”

Pop Personality: Janet Jackson: “Doesn’t Really Matter”

“Doesn’t Really Matter” from Nutty Professor II is Janet Jackson’s ode to the “inner being,” that it “doesn’t really matter what the eye is seeing.” Its message a fitting one for the film, as Jackson’s character, a professor, plays the love interest of the reserved Professor Sherman Klump (Eddie Murphy), who has a Jeckyll & Hyde struggle with his larger physical stature. The song has undergone various incarnations (a music-video version; album/tour version), yet Jackson’s familiar breathy vocals over the fast-paced, syncopated lyrics remain. The All For You album track has an “edit” before the second chorus, and later a “rock mix”, both serving as opportunities for Jackson’s signature “dance breakdowns” during performances.