Coppola Mechanism: Francis and Sofia’s Different Portrayals of Loneliness

In between The Godfather and The Godfather Part II, Francis Ford Coppola directed another classic: 1974’s The Conversation. Gene Hackman plays Harry Caul, a San Francisco surveillance expert who delves relentlessly into other people’s lives. Yet after one assignment, which has him initially (just) eavesdropping on a wealthy man’s wife and her male companion, he eventually finds himself trying to save what’s left of his own life. The viewer, funnily enough in an inherently voyeuristic role, sees that it’s not much of a life to begin with (barren loft void of color or personality; awkward attempts at human relations, specifically ones with women). Yet Harry seemingly resounds himself to reclusiveness, a sort of Catholic-induced self-punishment for the guilt that goes along with doing what he knows is wrong.

Coppola’s still-relevant script touches upon themes of technological obsession, voyeurism and paranoia, and its last scene is solemn and unsettling. Slow-jazz saxophone plays over the scene, a disturbingly serene choice to show someone peacefully succumbing to the (literal) mess one has made of his life. While Harry keeps human interaction and emotional involvement at a literal faraway distance, there’s a character in another Coppola creation who wants to intentionally connect with others, but first, with herself.

Partly based on Sofia Coppola’s time in Tokyo during her early twenties, 2003’s Lost in Translation is one of the best at capturing loneliness. The scene when Charlotte (Scarlett Johansson) calls a friend on the phone—a symbol of communication and connection—illustrates yet another way Charlotte feels dismissed and disconnected, not just a stranger in a new city, but worse, in her own life. As she sits alone in her hotel room, high atop and removed from the hustle and bustle of the city below, tearful gasps represent, in more ways than one, a longing to find home. The film’s soundtrack of dreamy, melancholic melodies and fuzzy feedback create a sense of… wander, and at times convey a hopeful reawakening for Charlotte, and actor in mid midlife crises, Bob (Bill Murray), both looking to feel refreshed after spending their lives in a (jet lag) haze.

Although both films are almost 30 years apart, Francis and Sofia show characters who are achingly lonely, yet the main difference is that one feels he deserves to be, the others are desperately trying not to be.

The Conversation: Paramount Pictures; Lost In Translation: Focus Features.

Pop Playlist: Kylie Minogue: “I Should Be So Lucky” (Live in New York)

In 2009, Kylie Minogue launched her For You, For Me tour, exclusively visiting parts of North America as a labor of love and appreciation for loyal fans. An audio recording of the Hammerstein Ballroom stop in New York was released, and featured the torch-inspired version of 1987’s “I Should Be So Lucky.” This ballad incarnation first appeared during her Intimate and Live tour in 1998, and allows the Stock, Aitken and Waterman-penned hit to showcase the heartbreak of unrequited love, and the versatility of Minogue as pop star and jazz chanteuse.