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An Add-Shot of Pop: Sabrina Carpenter’s “Espresso”

Sabrina Carpenter "Espresso"

Breathy and a bit bratty, in the best possible way, Sabrina Carpenter’s breakout hit, “Espresso” is easily a song-of-the-summer contender. As the track awakens, it’s cool and quiet, just the sound of shimmery synth keys, handclaps, and a deep bass line in the background can be heard. But it’s quick to rise and shine into a caffeinated eight-line chorus (repeated four times in less than three minutes) that proudly boasts the effect one can have on a partner, specifically the prowess of delivering a shot of love so strong, it’s enough to instill a bout of insomnia (“Say you can’t sleep, baby, I know/That’s that me, espresso”).

And while this hook and most of the lyrical content, for that matter, are far from grammatically correct (“Walked in and dream came trued it for ya”; “One touch and I brand newed it for ya”), certain liberties are allowed when crafting a smart, sugary pop song, the kind of sonic addiction that gets into a listener’s veins and brain, and won’t let go. Is it that sweet? I know so.

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Pop Playlist: Depeche Mode: “Enjoy the Silence”

English synth-pop icons, Depeche Mode had one of their biggest successes with 1990’s Violator. It featured strong singles, such as “Personal Jesus,” “Policy of Truth,” “World in My Eyes” and this song, “Enjoy the Silence.” From the start, “Silence” bounces with a deep synth-bass line, while a tender guitar riff softens the sound. But not too soft, for when Dave Gahan adds his vocals to the first verse, the mood intensifies once again. “Silence” is essentially a (dark) ballad: “Words are very unnecessary/They can only do harm.” Yet drum-machine beats and brilliant transitions, particularly the one between the chorus and second verse, give the song a surprising sense of catchy vitality, allowing it to become an alternative-pop and dance hit in several countries.

Below is a clip from 2014’s Live in Berlin filmed concert, directed by Anton Corbijn, who also directed the music video for the song. The deep synth-bass line, as referenced earlier, comes in at 0:46 and is definitive Depeche. “Silence” never sounded so good.

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