Olivia Dean: Just Who We Need
If you were on Instagram in late-summer 2025, it didn’t take long to hear the retro-inspired, yet fresh, new sound from British pop/neo-soul singer, Olivia Dean. After hearing mere snippets, it was a must for me to start delving into Dean’s previous work and current promotional material to learn more about, and hear more from, this artist who exudes an authentic love for what she does. Here are just a few performances from Dean that prove she is exactly who we need in music, now, into 2026, and beyond.
Dive In
Appearing on the Jimmy Kimmel Live in 2024, Dean and her band deliver a jazzier version of the track, “Dive,” from her 2023 debut album, Messy. Dean’s vocal showcases a maturity well beyond her years. Even how she performs is polished, particularly for someone so young; take note of how she gracefully uses her hands to sell some of the lyrics (“I’m a tidal wave of question marks, and you’re just surfing”; “Maybe it’s the magic in the wine”). And through her playful moves at the mic stand, and overall aura, she reminds you that she’s “feeling beautified.” Let this performance of “Dive” wash over you.
Spot(ify) On
The phrase, “breakout hit” definitely applies to Dean’s “Man I Need,” the catchy single that almost seems to be the audio equivalent of a strut. The flirty track captures the early stages of romantic interest, when one is wondering, and wanting to discover more, about the other. In the clip below, Dean and the guys perform at the Spotify Music Studios’ Live Room in Los Angeles, for an intimate performance, filled, in part, with Dean delivering the joy and excitement that comes with new love.
Nice and Easy (Listening)
With “Nice to Each Other,” there’s something about this song, perhaps it’s the pacing, the bass line, and/or the start of its second verse (“Meet me on the mountaintop/I’ll be in the shallow end”) that evoke a smooth Fleetwood Mac feel. In the below concert clip, Dean (channeling a bit of windblown, late ’70s-era Diana Ross and a tambourine-playing Stevie Nicks) performed the single at the Shepherds Bush Empire venue in London, to a crowd of fans singing along to every lyric, months before her second album, The Art of Loving, was released, solidifying that Dean’s popularity was rising quickly.
Safe to say: Dean is music’s newest superstar. (She really should just start picking out her GRAMMY-night dress.) Hope you enjoyed this sampling of clips that demonstrates Dean’s refreshing, and rare, ability to sound just as great live as she does on recordings. The Art of Loving is out now, and be sure to check out Dean’s newest single, and video for, the Bacharach/Warwick-inspired, “So Easy (To Fall In Love),” where she plays a modern-day cupid. To extend the Bacharach/Warwick connection: “What the world needs now is love, sweet love,” as well as the sweet sound of 2025’s best new artist, Olivia Dean.
Fashion Forest: Chanel Fall/Winter 2018/19
Earlier this year, Karl Lagerfeld and the team at Chanel didn’t just present fashion, but illusion. With the fall season less than two week away, check out the brand’s F/W show, where the Grand Palais in Paris was transformed from ordinary catwalk into a walk in the woods. This cinematic set decoration (complete with a fab prefab-inspired structure) immerses the viewer into a crisp autumn wonderland, while a soundtrack featuring the ‘60s-underground-rock sound of The Liminanas (“Dimanche”; “Istanbul is Sleepy”) and the ‘80s-pop mood of A.R. Kane’s “Love from Outer Space,” all work together to create a fashion-forward future that is romantically retro.
Lana Del Rey Delivers the “Love”
Most songs by the singer, Lana Del Rey can certainly be described as melancholic. Her ‘60s/‘70s-retro look and torch-style vocal delivery of airy highs and seductive lows surround material that’s often heavy and haunting, yet with a light, dreamy sound. With previous album titles such as Born to Die and Ultraviolence, Del Rey has never shied away from brutally honest lyrics dealing with the sadder, darker side of love and belonging, a young woman navigating as best through life, despite, as sung in her emotionally raw 2012 single, “Ride,” “… a war in my mind.”
Yet it’s the release of “Love” that presents Del Rey seemingly in a whole new light—smiley and hopeful. Its sound is still reminiscent of her previous work, with that David Lynch “Twin Peaks”-inspired lounge vibe, as best exemplified by the bass intro.; its lyrics optimistic: “Doesn’t matter ‘cause it’s enough/to be young and in love.”
The video for “Love” features Del Rey and band performing for an audience of young men and women in an interplanetary venue. An eclipse viewed by the “young and in love”; a tranquil kiss between a couple all make for stunning highlights. “Love” is peaceful meditative pop; four minutes of positive escapism that even has the normally introspective Del Rey singing, “Don’t worry, baby.”